David Timberline Reviews "Arcadia"

I've said before that David Timberline serves as a kind of senior voice among Richmond's theatre critics.  In an ideal world, the theatre-going public could also have heard from John Porter on Arcadia, or Joan Tupponce in addition to Susan Haubenstock's review, and Rich Griset's less favorable take, but John was handling personal concerns and we were not able to get ahold of Joan.

However, David has also known Richmond Shakespeare's work since the earliest years of my tenure, in the first year of the Richmond Shakespeare Festival and our touring programs. He's seen the company grow over the years, and brings that perspective to everything he writes.

Here's a link to David's review of Arcadia.  I'm grateful for his thoughtful review.

I'm reminded that our goal remains to impart an appreciation of outstanding language as it reflects, proclaims and examines human ideas with the resonating power of the human voice. Arcadia fits securely within that mission.

Thank you to all who came out to give Arcadia your thought, time and energy.  I hope you'll join us for Scott Wichmann's turn as Tartuffe in our next Second Tuesday Staged Reading on November 9.

-Grant

David Timberline Joins the Chorus of Critics Praising "Much Ado"

Timeless 'Hamlet' has modern feel

SUSAN HAUBENSTOCK SPECIAL CORRESPONDENT
Published: July 19, 2009

Like your "Hamlet" to have a colloquial, of-the-moment feel? The revamped Richmond Shakespeare production at Agecroft Hall has a Hamlet whose manner is so contemporary, you expect at any moment to see him texting Horatio.

There's no effort here to change the period of the tragedy, which is probably the 17th century, but Becky Willet's lovely costumes are not tied to any particular age. What's notable is the 21st-century sensibility -- lots of sarcasm and heavy irony in the line readings, and Jeff Cole's thoroughly extroverted Hamlet, with many modern mannerisms.

Grant Mudge directed both this and last fall's indoor-season version of the tragedy, and there are some differences. Jay Banks' Horatio is just as intelligent as Andrew Hamm's, but he's not the staunch friend Hamm's was. There's less romance and more insanity between Cole and his Ophelia, Liz Blake. And the production works better overall because of the more conventional thrust stage at Agecroft; Mudge can move his actors naturally, without the constraints of the long rectangle he had for a stage in the fall.

All the best elements of the production remain: high-quality spoken verse (Rebecca Jones was text and verse consultant), Blake's touching vulnerability, Cole's unflagging intensity. Timothy Saukiavicus is an even more craven Claudius than he was before, and Joseph Anthony Carlson is magnetic as Laertes -- his execution of Vanessa Passini's fabulous fight choreography includes a full-out leap that left audience members gasping.
A three-piece ensemble provides lovely background music, and the summer stage makes possible some effective stagecraft, like the entrance of Ophelia on her bier, hauntingly lit by designer J. David White.

In the customary Richmond Shakespeare style, 11 actors play 22 roles. But most of the principals play only one apiece, which leaves Katie Ford, 'Rick Gray, Shirley Kagan and LaSean Green playing 13 parts, and they do admirable work.

Susan Haubenstock is a freelance writer and editor based in Henrico County. Contact her at shaubenstock@gmail.com

Richmond Times-Dispatch

"The Peak Theatrical Experience in Richmond Is Back" Henry V Review, Richmond Times Dispatch

‘Henry V’ ends cycle on passionate, comedic note

HENRY V
Theater review
At: Agecroft Hall, 4305 Sulgrave Road Through: June 28 Tickets: $25 (16 and under $13) Info: 866-BARDTIX

SUSAN HAUBENSTOCK SPECIAL CORRESPONDENT
Published: June 15, 2009

The peak theatrical pleasure to be had in Richmond is back: summer Shakespeare at Agecroft Hall.

It's a happy mystery how hot, humid days can switch to cool evenings just as the Elizabethan verse gets going, but it seems to happen every time.
This season's opener is "Henry V," the culmination of three years pursuing the Henry cycle. James Alexander Bond has directed all three plays, and Phillip James Brown has played the younger Henry throughout, granting audiences a marvelous artistic continuity.

And again Bond, aided by Master of Verse Cynde Liffick, has brought us a rousing and gripping production, full of action (including Vanessa Passini's fight direction and Cecile Tuzii's movement coaching), passion and comedy.
The formerly roguish Prince Hal is now King Henry, and the English clergy are urging him to seize France as rightfully his. The French dauphin insults him, and Henry prepares for war.

There are combat scenes and interludes of diplomacy; there are remarkable moments when Henry goes incognito among his soldiers on the eve of battle. And there are stirring moments when Henry exhorts his troops -- "Once more unto the breach" and "We few, we happy few, we band of brothers."

Though there are comic and touching diversions, "Henry V" has no Falstaff, so Henry himself is the clear focus -- and Brown is powerful and magnetic enough to keep us riveted throughout. He shows just a few signs of the slacker he was; Brown is regal with a common touch. Wonderfully musical with the verse, he's also an inspiring leader, a steely judge, and a warm and awkward suitor in his final scene with the French princess.

Bond has balanced the production by emphasizing Shakespeare's varied comedic turns. The strongest of these is Bob Jones' Fluellen, the Welsh captain. Jones delights with his mastery of language and his unexpected physicality. Joseph Anthony Carlson, returning as Pistol, is a delightfully comic blusterer, and the pair of Phillip Reid and Thomas L. Cunningham as Bardolph and Nym amuse as well.

The cast of 19 performs 37 roles, with particularly strong supporting performances by Brandon Crowder, Nicholas Aliff, Tim Saukiavicus, Alan Sader, Joseph Sultani, Jamie Rees, Sarah Jamillah Johnson, Jeffrey Cole, Michael Hamilton and Jacqueline O'Connor. J. David White's lighting is dramatic, and the reliable Rebecca Cairns and Ann Hoskins contribute wonderfully detailed costumes.

This "Henry V" is a fully satisfying end to the saga.

"Unprecedented Feet"

It's been six (6) years since last we produced The Compleat Wrks of Wllm Shakspr (Abridged), and lately I've been asking myself why we waited so long. True, those six years have been blindingly fast, but this is a show that our audiences and artists alike just both seem to love.

So I hope you're ready to laugh. Because the new production is just as funny as anything we've ever done. We've assembled a terrific team under the expert guidance of Matthew Ellis (Visiting us from the University of Oklahoma where he specializes in movement and clown work: if you missed his weeklong Clown intensive last week, you missed a tremendous exercise for actors and a hilarious final performance), but after two weeks of "Compleat Wrks," I wanted to share with the Blog readers how much fun the audiences at Agecroft Hall are having. ---Heck, so am I. Even during their rehearsals, one night I laughed so hard I could no longer see straight; the tears were rolling down my face.

You know the feeling---when your eyelids close so tightly they bend backward on themselves?

What an absolute delight.

Jeff Clevenger is an actor I've long wanted to bring to the Richmond Shakespeare stage and here he leads a cast of three in the astounding feat of this show: Perform the entirety of Shakespeare's plays in a single evening. David Janosik and LeSean Green bring a terrific comedic camaraderie to the group; thus far they seem to me to be having more fun than human beings should be allowed to have.

Of course, it's also very physical---that's hard work, nailing all these laughs. But they've really hit their stride: the last two nights have been large, near-capacity crowds and both have graced the trio with standing ovations. Bring a picnic, bring your stadium cushion, bring your kleenex, bring your friends, your co-workers, your kids.

The show runs tonight and for just four more performances: Thursday through Sunday next week. It must close June 29.

Next up: Andrew Hamm's expanded cast production of As You Like It takes the stage; you don't want to miss either one.

For longtime fans, here's a quick shot of our original production in 2002; the show performed both at Agecroft Hall and on a floating stage down on the Canal Walk.

The 2008 company has earned two great reviews for their delightful production. Scroll on down to read the perspectives of Ms. Haubenstock and Mr. Timberline.

See you all out at Agecroft Hall.

-Grant Mudge