Showing posts with label David Timberline. Show all posts
Showing posts with label David Timberline. Show all posts

Wednesday, November 3, 2010

David Timberline Reviews "Arcadia"

I've said before that David Timberline serves as a kind of senior voice among Richmond's theatre critics.  In an ideal world, the theatre-going public could also have heard from John Porter on Arcadia, or Joan Tupponce in addition to Susan Haubenstock's review, and Rich Griset's less favorable take, but John was handling personal concerns and we were not able to get ahold of Joan.

However, David has also known Richmond Shakespeare's work since the earliest years of my tenure, in the first year of the Richmond Shakespeare Festival and our touring programs. He's seen the company grow over the years, and brings that perspective to everything he writes.

Here's a link to David's review of Arcadia.  I'm grateful for his thoughtful review.

I'm reminded that our goal remains to impart an appreciation of outstanding language as it reflects, proclaims and examines human ideas with the resonating power of the human voice. Arcadia fits securely within that mission.

Thank you to all who came out to give Arcadia your thought, time and energy.  I hope you'll join us for Scott Wichmann's turn as Tartuffe in our next Second Tuesday Staged Reading on November 9.

-Grant

Wednesday, April 22, 2009

Style Weekly

Do you have your tickets yet?
Issue Date: April 22, 2009, Posted On: 4/21/2009

STYLE Weekly review of 'A Midsummer Night's Dream' The cast of Richmond Shakespeareare's "A Midsummer Night's Dream," at rest. Clockwise from top, it's Brandon Crowder, Stacie Rearden Hall, Adam Mincks, Kerry McGee and Sandra Clayton.

There was a moment during Richmond Shakespeareare's "A Midsummer Night's Dream" when I literally could not stop laughing. Near the play's end, the sheer lunatic brilliance of director Andrew Hamm's off-kilter rendering of the Shakespeare classic reached such a fever pitch that I found myself lost in the sea of silliness. I would have been more embarrassed about my guffaws if there weren't several others in the audience doing the same thing.

Possibly the Bard's most endearingly romantic comedy, Midsummer's plot involves fairies, love potions, a man semitransformed into an ass, and quite a bit of mayhem. As if that were not enough, Hamm's inspired cast pushes every envelope available. Sensual interludes between lovers stray into serious PG-13 territory. Characters who are supposed to be bad actors are hilariously horrendous. Some of the physical comedy looks downright painful, thanks to fight choreography help by David White.

Ensemble members throw themselves into multiple roles with abandon. Brandon Crowder leads this rowdy band, effecting breakneck changes between the regal Duke of Athens to the almost aggressively swishy Flute and eliciting laughs with as little as a well-placed glance along the way. Adam Mincks chews the scenery ravenously as donkey-eared Bottom, who attracts the affection of Fairy Queen Titania (Stacie Rearden Hall) thanks to the juice of a magical flower administered by Puck (Kerry McGee). Hall's lusty looks are bracing while McGee is alternately fervent as the love-struck Hermia and delightfully impish as Puck. Sandra Clayton rounds out the crew ably with several small but vital bit parts.

It seems peckish to note that some of Shakespeare's lyrical language gets lost in modernisms such as "Sweet!" and "Awesome!" But Hamm makes up for it by inserting charming musical interludes into the action with a cast (particularly Hall) in spectacular voice. For a show not billed as a musical, this "Dream" sings. David Timberline

"A Midsummer Night's Dream" plays at the Second Presbyterian Church, 5 N. Fifth St., through May 10. Tickets are $13-$26. Call 1-866-BARD-TIX or visit www.richmondshakespeare.com.

Sunday, June 22, 2008

"Unprecedented Feet"

It's been six (6) years since last we produced The Compleat Wrks of Wllm Shakspr (Abridged), and lately I've been asking myself why we waited so long. True, those six years have been blindingly fast, but this is a show that our audiences and artists alike just both seem to love.

So I hope you're ready to laugh. Because the new production is just as funny as anything we've ever done. We've assembled a terrific team under the expert guidance of Matthew Ellis (Visiting us from the University of Oklahoma where he specializes in movement and clown work: if you missed his weeklong Clown intensive last week, you missed a tremendous exercise for actors and a hilarious final performance), but after two weeks of "Compleat Wrks," I wanted to share with the Blog readers how much fun the audiences at Agecroft Hall are having. ---Heck, so am I. Even during their rehearsals, one night I laughed so hard I could no longer see straight; the tears were rolling down my face.

You know the feeling---when your eyelids close so tightly they bend backward on themselves?

What an absolute delight.

Jeff Clevenger is an actor I've long wanted to bring to the Richmond Shakespeare stage and here he leads a cast of three in the astounding feat of this show: Perform the entirety of Shakespeare's plays in a single evening. David Janosik and LeSean Green bring a terrific comedic camaraderie to the group; thus far they seem to me to be having more fun than human beings should be allowed to have.

Of course, it's also very physical---that's hard work, nailing all these laughs. But they've really hit their stride: the last two nights have been large, near-capacity crowds and both have graced the trio with standing ovations. Bring a picnic, bring your stadium cushion, bring your kleenex, bring your friends, your co-workers, your kids.

The show runs tonight and for just four more performances: Thursday through Sunday next week. It must close June 29.

Next up: Andrew Hamm's expanded cast production of As You Like It takes the stage; you don't want to miss either one.

For longtime fans, here's a quick shot of our original production in 2002; the show performed both at Agecroft Hall and on a floating stage down on the Canal Walk.

The 2008 company has earned two great reviews for their delightful production. Scroll on down to read the perspectives of Ms. Haubenstock and Mr. Timberline.

See you all out at Agecroft Hall.

-Grant Mudge