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It's been a unique challenge and opportunity for Master of Verse Julie Phillips and I to restage a very successful production. Questions abounded: How many moments from the spring production do we duplicate? Do we change things just for the sake of changing them? What different perspective would Julie bring to a show that I had already seen through a complete production process and run? And how would the addition of nine new actors change what the play looks like and what it's about?
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All five original actors have returned: Sunny LaRose's Rosalind, Patrick Bromley's Orlando, Julia Rigby's Celia, Frank Creasy's Jaques and Charles, and Adam Mincks's Touchstone and LeBeau all have a chance to live again, and to breathe a little more deeply now that the actors don't have to play all the other characters as well. The new actors have freely reinterpreted their roles: Dan Summey and Michael Dunn as the good and evil dukes, Liz Blake and Jake Allard as Phebe and Silvius, Jay Banks and Jennifer Vick as William and Audrey, Danny Devlin as Oliver and Sir Oliver Mar-Text, Cabell Neterer as Dennis, and Jeffry Clevenger as Adam and Corin all bring very different stuff to the table.
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Lighting designer J. David White has done a wonderful job establishing the beautiful dappled light of the forest of Arden, and Becky Cairns' and Annie Hoskins' costumes are a wonderful expansion of the already-gorgeous palate from spring. The trees are a personal favorite. Will Hankins and Agecroft's Richard Moxley have built some wonderful two-sided benches to delineate city from country. There are even a couple treats for Star Trek fans in there, as well.
What could be more charming than Shakespeare's most romantic play after a picnic on the grounds of Agecroft Hall? If you saw the show in April, you owe it to yourself to come out to the Richmond Shakespeare Festival for what we've been calling As You Like It 2: Like Harder!
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